Title: An Acceptable Loss
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Former top U.S. security adviser Elizabeth “Libby” Lamm (Sumpter) is threatened by associates from her dark past including Rachel Burke (Curtis), a steely, commanding politician with an unwavering knack for achieving her goals. Colluding with Rachel is Adrian, an unyielding, patriotic chief of staff. Martin (Tavassoli) harbors another type of obsession with Libby in this story of betrayal and regret.
Blu-ray/BD/BRRip Blu-Ray / BluRay / BLURAY BDRip BRRip BDMV BDR BD25/BD50 (also BD5/BD9) Very Common
Blu-ray or Bluray rips are encoded directly from the Bluray disc to 1080p or 720p (depending on An Acceptable Loss disc source), and use the x264 or x265 codec. They can be ripped from BD25 or BD50 discs (or UHD Blu-ray at higher resolutions).
BDRips are from a Bluray disc and An Acceptable Loss encoded to a lower resolution from its source (i.e. 1080p to 720p/576p/480p).
BRRips are an already encoded video at an HD resolution, that is then transcoded to an SD resolution. BRRips An Acceptable Loss are only from an HD resolution to a SD resolution whereas BDRips can go from 2160p to 1080p, etc. as long as they go downward in resolution of the source An Acceptable Loss disc. BDRips are not a transcode, but BRRips are.
BD/BRRips in DVDRip resolutions can vary between XviD/x264/x265 codecs (commonly 700 MB and 1.5 GB in size as well as larger DVD5 An Acceptable Loss or DVD9: 4.5 GB or 8.4GB), size fluctuates depending on
length and quality of releases, but the higher the size the more likely they use the x264/x265 codecs. A BD/BRRip An Acceptable Loss to DVDRip resolution looks better, regardless, because the encode is from a higher quality source. BDRips and BRRips are often confused with each other, but have followed the above guideline An Acceptable Loss after Bluray replaced BDRip title structure in scene releases.
BD5/BD9 are also available, which are similar to their counterpart DVD5/DVD9 releases. They are AVCHD compatible using the BD folder structure (sometimes An Acceptable Loss called Bluray RAW), and are intended to be burnt to disk in order to play in AVCHD compatible Bluray players. More common types are complete Bluray copies (images/raw data), referred An Acceptable Loss to as BD25 or BD50 which may or may not be remuxed and are never transcoded. They are commonly burnt onto Bluray discs for playback. CAM Common; Quality issues An Acceptable Loss make this an unpopular format
A copy made in a cinema using a camcorder or mobile phone. The sound source is
the camera microphone. Cam rips can quickly appear online after An Acceptable Loss the first preview or premiere of the film. The quality ranges from subpar to adequate, depending on the group of persons performing the recording and the resolution of the camera An Acceptable Loss used. The main disadvantage of this is the sound quality. The microphone does not only record the sound from the movie, but also the background sound in the cinema. The An Acceptable Loss camera can also record movements and audio of the audience in the theater, for instance, when someone stands up in front of the screen, or when the audience laughs at An Acceptable Loss a funny moment in the movie.
Telesync TS HDTS TELESYNC PDVD PreDVDRip Very common
A telesync (TS) is a bootleg recording of a film recorded in a movie theater, sometimes filmed using An Acceptable Loss a professional camera on a tripod in the projection booth. The main difference between a CAM and TS copy is that the audio of a TS is captured with a An Acceptable Loss
direct connection to the sound source (often an FM microbroadcast provided for the hearing-impaired, or from a drive-in theater). Often, a cam is mislabeled as a telesync. HDTS is used An Acceptable Loss to label a High-definition video recording.
WORKPRINT Very rare
A copy made from an unfinished version of a film produced by the studio. Typically a workprint An Acceptable Loss
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